Showing posts with label landscape. Show all posts
Showing posts with label landscape. Show all posts

Thursday, February 28, 2013

Grass and Forest painting

Grass and Forest
acrylic on paper
15" x 11"
Today felt like a painting day but I needed to stay indoors so I pulled out a photo from a hike last year and went to work. I'm just getting a feel for the materials again so I didn't expect to produce a masterpiece but I'm satisfied with the work. I'll probably paint this again and again, and maybe soon I can return to the reserve and paint directly.

I used both fluid and heavy body acrylics, a mix of Golden and Holbein. with lots of water to make the work juicy. I'm leaning strongly toward using the thinner paint because I invaribly like to work thin so I get to play with drips and splatters.

Friday, February 03, 2012

Golden Morning Light

by Jo Reimer
Golden Morning Light
10 x 13
watermedia
As I opened my eyes this morning and looked out the window the trees to the west were bathed in an intense golden light which turned non-descript gray barked trees into something magical. I tried to capture the essense of the moment. It's there but mostly in my memory. My painting skills aren't there... yet.

Tuesday, May 26, 2009

Red Clover Landscape Sketches

About this time every spring many of the fields in the valley west of town turn bright red with the blossoms of red clover which is grown for seed. Most of the fields are pure clover with few weeds, just acres and acres of red blossoms with bright green clover leaves hidden underneath. I spent part of Memorial Day alone at the edge of one such field, taking photos and making some color sketches in my journal, doing enough of the work of looking closely so that some day soon the clover will appear in a painting or two.




The sketch on the left is a color field study, supposedly showing the bands of color as I saw them but I didn't nail the values. In landscape painting the sky is the lightest color... #1, the ground is the second lightest...#2 because it reflects the light from the sky. Hills are darker, being on a slant and relecting some light but not as much as the ground, and the trees are the darkest dark...#4, because they don't reflect light except where the sun hits one side in early morning and late afternoon. Can you see that I got it right in the landscape sketch but not in the color field study? Now I'm on a mission to do my best to paint landscapes in only 4 values until I can do it in my sleep.



















This last drawing is full of nostalgia. On the way home I drove out Kaiser Road and stopped at the cemetary that's at the corner of the acreage where we used to live. My children waited for the school bus near these 4 big old trees that stand guard over the cemetary where there's a headstone that states that Charles and Catherine Reimer rest here. Now they are no kin of ours, even though we share the same last name, but when we bought the property we sort of adopted this couple even though he died in 1917, the year my father entered the navy in WWI, and she died in 1944 while we were fighting WWII.


And finally, let me introduce you to "Wilson", a brush that John Lovett gave me. It's an ordinary cheapo throwaway brush from the hardware store, an Australian one (though you can find a similar one in your local hardware store for 79 cents). Wilson is great for lots of things, including fields of red clover, grass, and tree leaves.
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