Showing posts with label map. Show all posts
Showing posts with label map. Show all posts

Saturday, May 24, 2014

My Art Illustrates a Magazine Cover


Illustrating the Cover Story

My art graces the cover of the current issue of Divinity, the alumni magazine for Duke University's Divinity School. Yes, I'm bragging, especially because it wasn't because of anything I did except for blogging about making art using my collection of road maps. 

The magazine's editor contacted me a few months ago asking if I would allow her to use four of my map collages to illustrate the leading article, "Maintaining Good Roads", in the Spring 2014 Alumni magazine. She had seen my work online. How cool is that!

If you're interested in seeing the article with other photos of my artwork or to download the article in PDF go here.


Wednesday, October 23, 2013

Deep Blue... Mixed Media Collage


Deep Blue
Jo Reimer
9" x 12"
mixed media collage
This first completed collage of the week came about because I happened to put the photo of the ocean down on top of the painted paper. Composing the elements on a panel that I had just prepared with gesso over a failed effort led me to that sweet spot of knowing when it was just right.

Perhaps this makes the case for working with compost on a messy table.

Friday, February 15, 2013

Prairie Grass - Oklahoma

Prairie Grass - Oklahoma
collage on paper
16 x 20"
Although my focus has been elsewhere lately I'm still managing some studio time, working on the mapping series of collage paintings.

My husband and I met in college, in Stillwater, OK. He was raised in southwestern Oklahoma and after college we lived and worked in the state until moving to Oregon. Being from Arkansas I knew little about Oklahoma history and the required coursework about my adopted state was fascinating.

I read tales of the five civilized tribes, early white settlers, the Sooners who jumped into the land rush too soon, and of womens struggles to make a home on the prairie where conditions were harsh. Many, including my husbands relatives, scraped back the prairie grasses and dug homes into the red soil, using what precious wood they could find to build the upper walls, roof and door on their dugout home.

The Oklahoma prairie was beautiful before the farmers settled the land and changed the landscape forever. The grasses were tall, the skies vast, the bison plentiful. Some settlers recognized the value of the prairie grass as cattle feed but much of it was plowed and planted with crops, contributing to the horrors of the Dust Bowl era.  Now several land conservancy groups are returning portions of the land to its natural state.

There are incredible photographs of prairie grass online here.

As I thought about images of Oklahoma the most striking to me are those of grass and giant blue skies. The thin slices of paper which indicate prairie grass are proportionally too wide for the scale of the composition, indicating the immensitiy of the prairie. My art is about my emotionalal response to the location, not a photo-realistic representation. There's a dichotomy here of nature vs. present day infrastructure, a land which only 100 years ago was prairie and bison and is now criss-crossed with highways and dotted with cities. The prairies are growing back and the bison are thriving on preserves. It's about time.

Tuesday, February 05, 2013

Ochoco Forest - mapping series

by Jo Reimer

Ochoco Forest
14 x 18
Collage on Canvas
by Jo Reimer
The Ochoco Forest and its neighbor, the Malheur Forest, is located in central Oregon. The area is one of immense beauty and teems with wildlife especially migratory birds which call it home.

And there are BIG trees, all over Oregon.

I was lucky to have a map large enough to cover the lower part of my canvas and from there it was a matter of finding the right combination of greens and browns in my paper stash to make the statement I intended.

Wednesday, January 30, 2013

Small Town Oregon... mapping

by Jo Reimer


Small Town Oregon
Collage Painting
14" x 18"
Like many of you I often being my day with quiet meditation and writing in my journal, morphing from what has been into plans for the coming day in the studio. I explore ideas about current work during this time and jot down sketchy ideas about what I'll do with my studio time. 

I'm continuing to explore ways to use my connection with maps in my artwork and am finding even more excitement in working through this series.  This journey via my old maps just gets more interesting.

I've shredded maps; I've cut maps with scissors; I've torn maps; I've drawn the lines of highways, roads, and streets on paper and canvas; I've used maps as the substrate upon which I paint; I've glued maps onto just about anything that will hold still...  

....and the ideas keep coming.

Small Town Oregon began as an atmospheric landscape painting in acrylic.  It needed something more interesting than soft color so I asked the What If questions and decided to lift the maps of small towns upright as though the maps were being projected onto the sky.

Before I go much further I'll write a statement about the series so that it become clearer in my mind, not that this will be the final statement. It'll be refined as I work, but simply stating some of my intentions should help me leap ahead. It's one of the things I remember from Journalism 101... answer the questions: Who, What, When, Where, Why and How... and and my own mantra, What If...  what could I do next because of what's been done.

Friday, January 11, 2013

Mapping New Work

 
by Jo Reimer

I've collected road maps since our initial trip west, many of them free from gas stations along the way. Some are tourist maps of cities, some AAA maps, some hand drawn. Maps have been a large part of my life, and maybe yours, too, though we now rely on Google Maps and the maps in our smartphones and our GPS. I still print out maps because I'm so used to the paper map.

So... one day I decided to shred an old map see how I could use the strips creatively. To me the strips of map are the roadway, the directions for how to get somewhere, the path I traveled, and because I make an effort to make art that reflects my own life history and emotions it seemed appropriate to investigate where my map collection would take me on canvas and paper.

Crossroads
22" x 17"
acrylic and collage on paper

   
Crossroads was the first in the series. Here I laid down strips of map to indicate a matrix of roads leading away from a city somewhere west, near the water.


From Franklin to Oneida
22" x 17"
acrylic and collage on paper
From Franklin to Oneida, 22 x 17, grew out of imagining the chaos of traveling through unfamiliar landscape, following a straight highway and suddenly coming upon a small town out in the middle of nowhere and wondering why people settled there in the first place.

Sea City
10" x 10"
acrylic and collage on paper

The design for Sea City came about from looking at an actual map of a coastal city and adding the main streets to the painting as strips of maps, though not cut from a map of this actual city.

 
Toward Mill City
5" x 20"
collage on board
Toward Mill City veers away from strips of map to using larger torn scraps of map to indicate the city and the straight shot of freeway driving between one town and another.

Wetlands
20" x 20"
acrylic and collage on board
As I was painting Wetlands I imagined looking down on the landscape from above, seeing a small town nestled between the rivers and creeks that flow through a rather wet landscape. Homes and businesses were built above the flood plain but were controlled by the flow of the water, while nearby the freeway soared above the landscape, bypassing the town altogether.

From San Antonio to OKC
6" x 24"
acrylic and collage on board
From San Antonio to OKC uses larger portions of the maps of two large cities as well as painted papers and slices of maps. 

As you can see, I continue to experiment with ways to use my maps. I've only scratched the surface as I search for more ways to use the idea of maps, travel, journey, and exploration.  I have lots more ideas and since this work is moving along so fast I'm confident that I'll have many more pieces to show you in the future.





Saturday, May 01, 2010

SouthWest Road Trip

Roots

We're on a road trip, heading south, and since I choose to take limited collage materials I'm making do with what comes to hand. I found this photo of a tree in southern France from a few years back and combined it with some maps that I picked up along the way. The highway map reminds me of  the root system of trees in  a harsh desert climate as they reach deeper and deeper to find the water they need to survive. 

Water falls into the deep canyon of Zion National Park where it nourishes the trees along the river.


Snow fell on us the day we were in Bryce Canyon in southern Utah.
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