Artful Compost Revisited

Just Sayin'
Jo Reimer
7.5 x 7.5
mixed media collage with painted papers

I keep a small basket of 7.5" substrates, mostly 140# and 300# weight, to use for collage. A full sheet of watercolor paper tears down to this size with no waste. When I travel I can grab a few sheets and toss them into a box of "compost" along with scissors, a tearing ruler, and glue so I have something to play with when the mood strikes.

I've talked before about my compost and if you click the link above you'll see some pictures of some of my compost piles. My blog header is a photo of a pile of compost in my studio. I'm not talking about making rich dirt. My compost consists of paper, piles of paper which I've painted and dyed and printed in various ways. I call it compost because as I search my piles and boxes of paper it all becomes a jumble of color that often suggests new, rich uses.

I don't use much ephemera or other commercially printed paper in my collage practice, preferring to paint original papers so that the artwork I create is completely my own. The painted papers add a complexity that I can't get from commercially printed papers. Most images in my work are my own photos or drawings. I don't see anything wrong with appropriated images when they're transformed in some way by the artist using them; it's just not my way of working.

Have you started your own compost pile? It's satisfying... like Just Sayin'.



Workshop Report

Spot On
Jo Reimer
10" x 10"
Mixed Media

 It's been a week since I began the workshop with Donna Watson and time to post a report. For two days we worked with Japanese Rice Paper (washi) painting one side with acrylic paints of a consistency that left fibers visible on the reverse side which, in many cases, became the front. Then we cut and tore these papers and made collages. Spot On was my first one and if you look closely you can see the visual texture of the papers which were actually quite smooth to the touch.

The Good Life
Jo Reimer
10" x 10"
Mixed Media

I'm showing each collage in the order in which they were created. This one is a mix of papers, moving away from using lots of black and including more color. The lower left quadrant was painted with ultramarine on the other side. Remember that every piece of paper has two sides. The text in the orange band features painting over writing; the white vertical band features what I call "writing that can't be read"; some of the orange bits papers painted over a laser copy of names of women who've influenced my life, and at the top left is blue and black painted washi over handwriting. Because the washi is so thin it will show the layers below.

Torn
Jo Reimer
10" x 10"
Mixed Media

Torn is a quickie collage using just three papers. Donna tells me that this is more "me" than the others because I'm all about color and organic. I think she's right and perhaps that's why it went together so quickly. The piece on the left is white spray paint through a stencil onto brown. The orange stripe is painted tissue from my painted papers stash. The piece on the right is washi. I worked on palette paper, mixed raw umber with black and white and rolled it onto the palette paper, then combed through it to create the undulating lines.

Falling Leaf
Jo Reimer
10" x 10"
Mixed Media

Falling Leaf is my personal favorite. The top and bottom bands are washi painted in class. The orange band at center left is from my stash of tissue painted with inks. The leaf is from my garden, pressed last year and saved for just such a reason. The leaves are turning again and it's time to gather and press another batch. In our family we're all about trees. We have a family wholesale nursery where we grow ornamental trees which are sold to nurseries across the country. The crops include lots of Japanese maples and we have many growing around our home. I love to draw the winter skeletons of trees so using leaves in my mixed media collages is a given.

Now you wonder if I've followed through since the workshop and the answer is yes and no. I got sick the first day with a chest cold and since the workshop I haven't felt like doing much of anything other than reading over my class notes and summarizing them. My intention for tomorrow is to gather my stock of washi and tubes of acrylic and get busy painting more papers. That usually leads me directly to making and then I'll be off and running.

End of Summer

I figure that you've been wondering where I am and what I've been doing this summer since there've been no changes since August 5. It's a long boring story about gardening, grandkids, berry picking and freezing, experimenting with oil paint, reading and a few parties thrown in for good measure.

As the weeks went by without a serious thought about blogging I finally decided to wait until the end of summer. That's today, so here are a couple of pictures for you.

Romans 5
9x12"
Collage, stamping, stencils, handwriting

Romans 6
9x12"
Collage, stamping, handwriting, painted papers

I've returned to the Sermon Notes series, working through the book of Romans. I finished Romans 6 yesterday and intend to finish all 16 by the end of October. It'll be a push but I will do it. That's just over one a week. Easy! If you want to see the rest of the series they're on Flickr here.

Journal pages
17 x 11"

Above is the first spread in a new art journal. The intention for this journal is to use strips of paper to create a story, probably spread over two pages. I don't regularly work this way but I've been advised by two trustworthy artists to work larger and I'm doing that, on canvas and paper as well as in my journals.

And finally, here are some recent sketches from my small Moleskine journal that I always have with me.

Hiking in Forest Park with grandkids.

At a friend's memorial service

Callas from my garden

Happy Hour with friends

My Artist's Statement

Lift Me On Angel Wings

12" x 16"

Mixed media on board

$300

I wrote my artist's statement for my recent Open Studio. I'll write up a report of the event soon.

JO REIMER, AN ARTIST’S STATEMENT

Gathering and hanging art work that I created has been so interesting and informative, revealing just where I’ve been and hinting at the direction ahead. Seen together on the walls of my home this work from the past 4 years reflects my interests, both in the seen world and in the spiritual. There are works that tell a story of how I look at my environment as well as how I relate to God and his creation.

Artwork like the Pear series and the Flower Vases are practice pieces and yet are among my personal favorites because they are so much fun to make. It doesn’t matter if a line is right or if a shadow is off or if the color just isn’t very realistic. What matters is that I do them, that I get paint onto paper, and in this practice I grow. Like a pianist learning scales before she gets to the melody I paint my little practice pieces so that I will get to the place where I can paint whatever is waiting within me to be expressed. That’s what painting is to me… an expression of who I am and what I’m thinking about.

I started being an artist when I was four years old. My grandmother was teaching me to embroider and I insisted on making the flowers brown and the stems red… present things my own way. I grew to use embroidery to create fiberart, things that hung on the wall rather than pieces that were functional. I still remember the evening I saw embroidered art on display in a gallery setting and recognized that I knew how to make art even though I didn’t know how to use a paint brush. I studied with creative embroidery in London, England and stuck with using the threaded needle, art quilting, surface design, sewing, and pattern design until 1998 when I turned off my sewing machine, put away my embroidery hoops and leapt into fine art making, knowing that there were paintings deep within me that wanted to get out. I refined my drawing skills, took some painting classes, and practiced and practiced. I continue to work at learning by reading, watching DVDs, taking workshops and classes, and talking art with like-minded friends.

My favorite way of working is what I call collage painting. Several times each year I prepare papers to use in my work. I apply dye, ink, watercolor, thinned acrylics, to thin paper working with layers of color to create interesting collage papers that are uniquely mine. Then I collage these papers to heavy paper, canvas, or board and add paint as needed. It’s like my cooking…
I sort of follow recipes but mostly I wing it based on my past experience of what works together.

I love books, reading them and writing in them and I usually create my own sketchbook/art journals in which I make plans, journal about art and life, and often even create art on the pages. When we travel I take along a little sketchbook, paint and pens. Ask me about these journals because I love to share them.

I enjoy painting with acrylic paints. They are water-based and fairly non-toxic, unlike oil paints whose fumes I don’t much like in my home studio. Oil is fun to paint with; smearing buttery oil-based color around on canvas is so satisfying, but the cleanup isn’t as easy for me as with acrylics. I also like to use pastels, both dry and oil. Well, perhaps you’re on to me by now… I love to use anything that will help me put color on a surface, and the more color the better I like it. Many people paint with neutrals, but even when I start painting with umber, sienna, and other neutral colors it isn’t long until the piece has mysteriously turned red or orange. That’s just me. I like to paint happy.

Jo Reimer, November 21, 2008