The Traveling Artist

Caran d'Ache Neocolor II watercolor crayons

For some reason I simply can't toss a few things into my suitcase and be confident that I'll have all I need when I get to my destination. I have to make lists upon lists to be sure I haven't forgotten something important... and this from a woman who used to teach workshops about planning and packing a travel wardrobe. But to make packing easier I keep a packed sketching kit ready for the road.

Jo Reimer's traveling sketch kit

The case is a tri-fold cosmetic case, found at AAA a few years ago. I've seen similar ones at the drugstore. Here's what's in it...

• my small Moleskine journal, a tiny watercolor paintbox made from a mint tin, and a waterbrush. These live in my handbag at home, every day.
• Winsor Newton travel palette with 12 basic colors.
• a second waterbrush
• 4 other rather small brushes with shortened handles,
• a tiny spray bottle for water,
• a tiny bottle of Indian Red ink and a dip pen for drawing, 
• several half-sticks of Caran d'Ache crayons in a little plastic bag,
• my collage/watercolor journal and a few extra bits of watercolor paper,
• 2 UHU gluesticks and a small jar of acrylic medium with a spreader,
• small children's scissors,
• pens and pencils,including a couple of colored pencils
• eraser and tiny pencil sharpener,
• a tiny sea sponge,
• several paper and plastic alphabet stencils,
• a film container for paper clips and brads with masking tape wrapped around the outside,
• a roll of clear packing tape that tears easily to use for magazine transfers.
• small pad of watercolor postcards
• a 2" S-hook, a carabiner and a large safety pen 

This all fits into the folding cosmetic bag. 
 

Tri-fold kit with left compartment folded inward

 

Kit opened all the way

On the airplane I position the S-hook or the safety pin somewhere in front of me on the airplane, hook the carbineer to the handle of my travel kit, and hang from the S-hook so my equipment is handy as I work.


Between trips this kit lives in my car where I also keep a spare, larger sketchbook.

What do you pack? What sort of packing case do you use? 
 

Urban Sketchers

Sketchcrawl esteponero - Malaga - Spain from Urban Sketchers on Vimeo.

I love to watch other people sketch almost as much as I like to do it and as I watched this video I made several observations that might help you on your next sketch outing. You DO sketch, don't you?

1. Use a 7-day pill container to hold your paints
2. Use a sea shell for water supply.
3. Note that most people use a waterbrush. Available at art and hobby stores, the barrel holds water, or ink.
4. A small amount of paint is enough to explain the colors; don't over-work the color.
5. Notice the different sizes of sketchbooks; one person uses single sheets of paper clipped to a backing board.
6. Notice how people hold their pen while sketching; notice how carefully and often they look at their subject.
7. Joining a group like Urban Sketchers for a day looking at your community is lots of fun.

Paintbox + Velcro + Bookmark

While watching a video by Free(k)hand showing one of his watercolor sketchbooks I spied a spread about his watercolor box holder and decided to make my own. While not as tidy as his, mine works great for my purposes. The box is an Altoids gum box, spray painted white on the inside with Rustoleum. I used double-sided carpet tape to adhere the half pans, filled with my favorite colors, to the box.

I located a metal bookmark and glued velcro to the head of the bookmark using Tough As Nails glue, and the companion side of the velcro is glued to the bottom of my paint box.

To use this little contraption when I'm out painting I simply take the bookmark out of the pocket in the back of my Moleskine and slip it onto a page of my notebook with the head sticking out at the top and fasten the paintbox to the bookmark and paint away, using a waterbrush.  How cool is that!

Limited Palette

Paula asked which colors I chose for my limited palette. This one is modeled after one of Cathy Johnson's, including the altered paintbox itself which is a Koi painbox. I removed the original contents, leaving only the little waterbrush, and added full and half pans into which I squeezed Transparent Yellow, Quin. Red, Winsor Blue, Paynes Gray, Burnt Sienna and Raw Sienna. There are 2 watercolor brushes, a #1 liner and a 1/4" flat with sharpened ends for scratching back, plus a sponge, pencil and sharpener, and molded eraser. You can see by my dirty palette that I reused dried puddles and I don't often clean my colors, preferring to dip into whatever is there that's useable.

Part of the looseness is due to the finish on the moleskine pages. Mine is the sketchbook with the slightly yellow and stiff pages, and unless I wipe the page down with a moist towel to remove the sizing the pages slightly repel water. I like the look but watercolor purists rail against the paper and use other books. I chose moleskine because of the overall quality of the book. It stands up to just about any abuse and since I carry this book in my purse everywhere I go I need the strong structure.

It doesn't matter which colors you choose for your limited palette as long as you've experimented with them enough to know that you can mix satisfactory colors... good greens, bright purples and magentas, and orange. If the yellow, red, and blue you already own as long as they mix to form beautiful secondary and tertiary colors. And of course, be creative with color, using any color to represent any object, as long as the value is right. I could make my daytime sky pink and my water purple, as long as the pink is light and the purple is dark.

And BTW, the link to Cathy Johnson is to her Art Tips page where there is scads of information on how to paint with watercolor. She's the master!

Paintboxes

Here's a page from my daily Moleskine journal. I draw and write with a Gel Xtreme pen by Y&C to make and add watercolor from my little recycled Altoid's tin which is now a handy paintbox.

Making little paintboxes has become a bit of an obsession. I collect flat, lightweight containers such as makeup compacts, vintage metal cigarette boxes, vintage aluminum soap boxes, children's watercolor sets, mint, candy, and cough drop boxes can be converted into little paintboxes. I spray the inside of the boxes with white enamel so I can use this as a mixing area. I order empty half pans and full pans from Daniel Smith and adhere them to the bottom of the box with doublestick carpet tape, fill them with a warm and a cool of 3 basic colors, add a tiny Koi waterbrush, and I'm set to paint wherever I go.

The face is a handcarved rubber stamp that I made from a tracing of a photograph. It was very difficult to carve the details but it's close enoough so that I don't feel the need to re-do the carving.