Studio Journals
Pages can be prepared either way. If you like the experience of opening a fresh journal with pristine white pages then go ahead and bind the paper into a book format using whatever binding structure you want… or skip the binding step and buy a blank book. My first art journals were blank coil bound books but once I learned that I could choose my own paper and bind it myself that’s what I’ve done, (pictured above). I especially like gutting an old book that’s no longer useful and adding my own signatures using a good paper. There are lots of books, YouTube videos, and online tutorials/ classes that will walk you through the process.
My first self-bound art books were made following Teesha’s instructions here.
Other times, especially when I’m making a theme journal I’ll paint a few pages of a good paper and then tear it down and bind it as a coverless book. One such book is Teesha Moore’s 16 page journal.
I have a large stash of paper that has watercolor or acrylic paint on one side that I worked on in a class or as experiments that didn't come to completion, work that isn't frame-able the way it is. This paper is perfectly good and I keep it because I can't bear to throw away expensive paper, knowing that I can re-purpose it. That's what I often use for my journals and that’s what I used for my Nature Journal. Sometimes I do nothing further to the paper before tearing it down and other times I paint the other side in similar colors so there'll be continuity of color throughout the book.
For the Nature Journal I wanted to push back the color that was already on both sides of the paper so I tore it down to page-spread size and smooshed white gesso over the paint using a broad palette knife and a credit card as a squeegee. Gesso gives strength to the pages, keeps them flexible, and provides a good painting surface for acrylic paint or as a base for collage when using acrylic medium for the adhesive as I most often do.
